
Course Summary:
This music course is intended for a small group of students that would benefit more from a comprehensive music education as opposed to a solely, “performance-based” music education. The course will follow an interactive lecture format where the students will be asked to take notes on academic musical subjects, and participate in music performances and class activities. Each class session will have the primary goals of that day’s learning noted on the “White Board.” The White Board Policy of Pacific Lutheran High School has been implemented to facilitate better learning for the students by clearly defining the learning goals of the day, explaining what concept the students will learn, explaining how the activity will facilitate this learning and which ESLR the lesson will touch upon. Over the course of the year the students will understand musical elements such as Theory, Style, Form, Harmony, History, Composition/Arranging, and Performance. The students will posses the ability to exhibit their knowledge of these elements academically as well as through their listening and performance. The course will cover music from the Late Baroque period until now, including both the Popular and Artistic genres.
Class Materials Needed:
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- Required Text: provided to the students in the form of handouts and lecture materials
- Suggested Text: The Enjoyment of Music - Joseph Machlis & Kristine Forney
- Suggested Text: Tonal Harmony - Stefan Kostka & Dorothy Payne
- Suggested Text: Anthology for Musical Analysis - Charles Burkhart
- Pencils (All handwritten assignments to be completed in pencil)
- Notebook Paper
- Blank Music Paper (Can be obtained for free at http://www.blanksheetmusic.net/)
- Computer for Typed Assignments
- Access to “iTunes” or “You Tube” for Listening assignments
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Assessment:
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Frequency |
Quantity |
Points
Each |
Total
Points |
|
Listening Reports |
Every 2 weeks |
17 |
20 |
340 |
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Unit Quizzes |
|
6 |
50 |
300 |
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Historical Research Paper |
First semester |
1 |
150 |
150 |
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Final Composition/Arrangement |
Second semester |
1 |
150 |
150 |
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Midterm Exam |
First semester end |
1 |
150 |
150 |
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Final Cumulative Exam |
Second semester |
1 |
150 |
150 |
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Class Participation |
Weekly |
48 |
10 |
480 |
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Homework assignments, Pop Quizzes |
|
|
10-20 |
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Total of 1720 Points
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Percent |
Points |
Grade |
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100% - 93% |
1720 - 1599 |
A |
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92% - 90% |
1582 - 1548 |
A- |
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89% - 87% |
1530 - 1496 |
B+ |
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86% - 83% |
1479 - 1427 |
B |
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82% - 80% |
1410 - 1376 |
B- |
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79% - 77% |
1358 - 1324 |
C+ |
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76% - 73% |
1436 - 1255 |
C |
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72% - 70% |
1238 - 1204 |
C- |
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69% - 67% |
1186 - 1152 |
D+ |
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66% - 63% |
1135 - 1083 |
D |
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62% - 60% |
1066 - 1032 |
D- |
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59% - 0% |
1014 - 0 |
F |
Extra Credit will be assigned during the year as a means to encourage further enrichment of the musical experience.
Course Sequence:
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Week 1 |
Unit 1 Theoretical Elements |
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Week 2 |
Listening Report 1 Due |
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Week 3 |
Homework Assignment 1 (Notes and Rests) Due |
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Week 4 |
Listening Report 2 Due |
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Week 5 |
Introduction of Stylistic Elements |
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Week 6 |
Quiz #1 |
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Week 7 |
Begin Unit 2 Historical Elements Listening Report 3 Due,
Homework Assignment 2 (Keys and Time) Due
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Week 8 |
Homework Assignment 3 (Period Dates, Composer Dates) Due |
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Week 9 |
Listening Report 4 Due, Homework Assignment 4 (Tone Row) Due |
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Week 10 |
Homework Assignment 5 (Composers and Countries) |
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Week 11 |
Listening Report 5 Due |
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Week 12 |
Quiz #2, Homework Assignment 6 (Part Marking for Performance) |
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Week 13 |
Begin Unit 3 Integration into Performance Practice |
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Week 14 |
Listening Report 6 Due, Homework Assignment 7 (Chime Markings) Due |
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Week 15 |
Homework Assignment 8 (Sulfege markings) Due |
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Week 16 |
Quiz #3 (Performance Quiz), Listening Report 7 Due |
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Week 17 |
Homework Assignment 9 (Chromatic Sulfege) Due |
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Week 18 |
Midterm Exam, Listening Report 8 Due, Research Paper Due |
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Week 19 |
Begin Unit 3 Elaboration of Theoretical Elements Homework Assignment 10 (Chords) Due |
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Week 20 |
Listening Report 9 Due, Homework Assignment 11 (Melody) Due |
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Week 21 |
Performance, Homework Assignment 12 (Melody) Due |
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Week 22 |
Listening Report 10 Due, Homework Assignment 13 (Harmony) Due |
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Week 23 |
Homework Assignment 14 (Harmony) Due |
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Week 24 |
Quiz #4, Listening Report 11 Due |
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Week 25 |
Homework Assignment 15 (Form and Structure) Due |
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Week 26 |
Listening Report 12 Due |
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Week 27 |
Homework Assignment 16 (Counterpoint) Due |
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Week 28 |
Listening Report 13 Due |
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Week 29 |
Homework Assignment 17 (Inversion) Due |
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Week 30 |
Quiz #5, Listening Report 14 Due |
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Week 31 |
Homework Assignment 18 (Chord Analysis) Due |
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Week 32 |
Listening Report 15 Due, Homework Assignment 19 (Lyrics and Poetry) Due |
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Week 33 |
Homework Assignment 20 (Rough Draft of Composition) Due |
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Week 34 |
Quiz #6 (Performance Quiz), Listening Report 16 Due |
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Week 35 |
Composition/Arrangement Due |
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Week 36 |
Final Exam, Listening Report 17 Due |
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White Board Formula:
Each class period, students will be given at least one educational objective, an activity to reinforce this educational objective, and an assessment for the activity. Educational objectives are pulled from California Content Standards or other standards appropriate for each course.
ELSR Integration:
Pacific Lutheran High School's Expected School-wide Learning Results (ESLR's) provide the framework and focus for student learning and contain the critical skills deemed most important by the school. ESLR's are embedded into the school curriculum and work alongside California content standards and/or other appropriate content standards to maximize student learning, connect this learning to the school's mission and philosophy, and ensure students are equipped for their futures. The ESLR’s are as follows:
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- Putting Christ First: The Historical development of music took place in the churches of Western Europe. It is this historical, musical practice that defines the musical content for this course.
- Learning for Life (Critical Thinking): Students are not asked to only repeat musical material in the form of papers and performance, but to analyze the music and extract or apply literary meanings to music or to identify similar musical elements across cultures and time.
- Honoring Life Skills (Communication/Technology): Music existed as a form of communication long before and language existed. By learning to communicate musically the students will learn how to bypass the confusion of language and express highly concise and meaningful thoughts. Modern internet technology allows the students to access music that has been unavailable for centuries, and it allows them to create music in a way that is easy and fun.
- Serving Church, School and Community: The students will have the opportunity to perform at weekly chapel meetings, and in public concerts. The students will learn to value these community services and the lessons will be applicable through the rest of their lives.
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